xenophobia

What Latin America Can Teach About Political Instability

[Pictured: A group of fascists march in Brazil in 2019, with hopes of reviving Brazilian Integralism]

By Diego Viana


For a Latin American like me, a certain anxiety currently expressed by liberals and social democrats in the wealthy West is intriguing. Op-eds in the mainstream media and book titles in political science set off the alarm: democracy, often designated our democracy, is in danger. Why? Because centrist political forces are gradually losing their capacity to determine the terms of the debate and the universe of what is possible, election after election, opinion poll after opinion poll. Meanwhile, the social landscape is transformed by an increasingly aggressive far Right and the return of the Left to the streets around 2011, after a somewhat dormant decade. It is true that political, economic, and social leaderships with little esteem for a democratic veneer are clearly on the rise. It is also true that mass protests and barricades are back in the game. Yet, seen from my part of the world, these trends are remarkably familiar.

It is tempting to reduce the complexity of current political tendencies by jamming them all into the single narrative of “rising populism,” as mainstream political scientists and journalists in the West so often do. It is comfortable, but hardly elucidating, to melt such names as Marine and Jean-Marie Le Pen, Éric Zemmour, Donald Trump, Georgia Meloni, Vox, Alternative for Germany (AfD) and the United Kingdom Independence Party, but also Jean-Luc Mélenchon, Bernie Sanders, Podemos, Jeremy Corbyn, and others, into a single political concept, and then contrast them with a liberal center deemed democratic in essence. 

Comfortable, of course, for those who only aspire to lament the slow corrosion of liberal democracy, as witnessed in Eastern European countries like Poland or Hungary. The framework that delimits the trend as a rise of populism or illiberalism conveniently leaves aside the traditional Right's consistent drift further right. France is a good example. While the suburbs burn in protest against police brutality, the traditional Republicans (formerly “Union for a Popular Movement”) send out xenophobic and racist messages and policy proposals. President Emmanuel Macron, in turn, who was once a minister under socialist president François Hollande, then was elected in 2017 with a strictly neoliberal platform, places himself increasingly in the orbit of rightist ideas, hoping to keep right-wing voters within reach. In 2021, he adopted the notion that universities are dominated by “Islamo-leftism.” This year, he repeated far-right novelist Renaud Camus's diagnosis of a “decivilization” of France.

And yet, someone like Macron, who bypassed Congress to sign a pension reform into law despite overwhelming popular opposition, is considered a symbol of liberal democracy. Is it simply because, unlike Le Pen's Right or Mélenchon's Left, he remains a free market champion? Or, likewise, is the Conservative British government, which installed a prison boat to detain immigrants, liberal-democratic because they don't subscribe to the recoil of economic nationalism characteristic of their Brexiteer predecessors under Boris Johnson? If (neo)liberalism itself develops into a strict surveillance/police state, with a distinctly authoritarian horizon, are we still speaking about democracy?

I believe the Latin American experience suggests that the most significant aspect of the current political trend is neither its “populism” [1] nor its “illiberalism,” but its instability. While the usually nationalistic, sometimes ultraliberal, occasionally religious, and often openly fascist New Right has been rising relentlessly, by creating new parties or caucuses inside the traditional ones, the process has not been as steady as it might seem. In the last decade, the Right, Left, and Center have all seesawed vertiginously between victory and defeat. Think of how the AfD in Germany grew during the refugee crisis of 2016, then lost popularity in the aftermath of the pandemic, then grew again. Or how the traditional Left won the French 2012 elections, only to be practically wiped out in 2017, replaced by Mélenchon's France Insoumise, which has now become the centerpiece of the left-wing coalition NUPES (New Ecological and Social People’s Union) in Congress. Or how the Labour Party reached 40% of the vote that same year with Corbyn as leader, before the debacle [2] that led to the rise of Keir Starmer. Or even the rise of young socialists in the United States, while the obscurantist Right took over the Supreme Court. More recently, in Spain, the Right's inability to form a government with the neofascists from Vox, immediately following a significant victory in local elections, shows that the game is not as linear as is often depicted. Quite the opposite: it oscillates wildly.

Moreover, in most of these countries, opinion polls do not show a clear preference for the nationalist, xenophobic, ultraconservative ideas these groups profess. It is true that they usually don't tip towards left-wing ideas either, such as redistribution or public ownership. Nevertheless, if people in Europe and the United States tend to view the world with a more "centrist" lens, then the loss of steam by the centrist forces becomes puzzling in its own right. Which leads to the good old materialistic interpretation: the political oscillation and the ultra-conservative call may reflect economic insecurities, or, more widely, deeper anxieties concerning living conditions.

The relation between the worsening living conditions and the odd mix of nationalism, racism, bigotry, religious fanaticism, and libertarianism we are becoming used to is not immediately obvious. Sadly, structural relations are rarely obvious. But it is not hard to notice that, in the absence of factors that foster social cohesion — through common experiences, such as work relations and opportunities to consume, which give people a feeling of participation in economic life, and public services, pensions, unemployment benefits etc. — those yearning for belonging may recourse to confrontational forms of religiosity, a renewed strength of white supremacy, or the extreme demands of a neoliberal ethics as it appears in the Silicon Valley way of life, where every aspect of existence is monetized. All of these seem to be fusing as the contemporary face of fascism.

Which brings us back to Latin America, this old periphery of the Western colonial powers (the United States came up with a much cruder term: “backyard”). Here, political oscillation has been the rule in most countries, not in the sense of what in the region is usually called the “healthy alternation of power,” but violent swings between oligarchic (and, more recently, neoliberal) and progressive forces, with a constant risk of authoritarian slides. The 1990s were a nearly monolithic neoliberal period in the region, succeeded by two “red (or pink) tides,” when a series of somewhat left-wing parties took power in many countries almost simultaneously. In between, a conservative interregnum took hold, either via elections or coups — explicit or not (Honduras in 2009 [3], Paraguay in 2012, Brazil in 2016, Bolivia in 2019).

The Argentinian case is probably the most extreme, as the country is still grappling with financial asphyxiation due to the insistence on a one-to-one parity between the peso and dollar from 1991 to 2001, and the  “rescue” packages from the International Monetary Fund (IMF) that followed. In the last decade, the left-wing “Peronista” president Cristina Kirchner was followed by the businessman Mauricio Macri in 2015. Macri then fell out of favor with the electorate due to an inflationary hike intensified by yet another IMF package, and the left-leaning Peronistas [4] regained the Casa Rosada in 2019 with the current president Alberto Fernández.

This year's electoral process has a particularity. In the primaries (where voting is open to all and mandatory), the libertarian, discreetly fascist candidate, Javier Milei, received 30% of the vote, ahead of the traditional right-wing opposition (28.3%) and the governing coalition (27.3%). This means that Milei's prospects of actually becoming president by the end of the year are far from unrealistic. At the time of writing, he’s the betting favorite.

In Brazil, a decade of turmoil ended the relatively stable period associated with the post-1988 “New Republic.” This era of stability, whose hallmark is the adoption of an economic stability plan in 1994, was punctuated by the presidencies of center-right Fernando Henrique Cardoso (1995-2002) and center-left Luiz Inácio “Lula” da Silva (2003-2010), whose tenures marked a particularly optimistic time, when Brazilians genuinely felt that the country had reached a new stage of political maturity — if there is such thing. The following decade, which began hopefully and the expectation of the 2014 World Cup and 2016 Olympics in Rio de Janeiro, would turn out to be marked by a series of mass protests beginning in 2013 and political strife.

The apex of this instability came in 2016, when a poorly justified impeachment process sacked Lula's successor, Dilma Rousseff, who faced increasingly vitriolic opposition in Congress, the media, and even heavily astroturfed protests in the streets. The process, which has consistently been denounced as a coup by the Left, installed her conservative vice president, Michel Temer, in her seat. The traditional political forces of Brazil, which includes large landowners, bankers, the very few families that control the media, the high bureaucracy, the military, and what is left of the manufacturing sector, believed this would obliterate the Workers' Party (PT) and lead to many years of center-right governments.

Instead, the 2018 election brought what felt like a preordained victory for a caricatural far-right candidate who promised to “clean up” the country of leftists and, during the pandemic, mocked the victims and imitated a person suffocating to death. COVID killed more than 700.000 Brazilians. Four years later, Lula was back in office, elected by an insignificant margin of 1.8% of the vote, and riding on the widest imaginable alliance.

In the last few years, the oscillation intensified and accelerated. Peru, Paraguay, Bolivia, and Ecuador have faced protests, impeachments, jailed ex-presidents, fascist presidents, and strikes [5]. Chile — historically the most stable South American country — caught fire.

The 2019 “estallido social” (social blowup) during the presidency of neoliberal Sebastián Piñera led to the formation of a remarkably progressive constituent assembly. The 2021 election pitted the young left-wing activist Gabriel Boric against the neofascist José Antonio Kast, with a victory for Boric that may have been his last. Since then, the project of a new constitution suffered a resounding defeat and his approval rates have sunk. 

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In Colombia last year, Gustavo Petro, a former guerrilla fighter and mayor of the capital, Bogotá, was the first left-wing candidate to reach the presidency, with Francia Márquez, a black female environmentalist, as vice president. Petro's party, Humane Colombia (formerly “the Progressive Movement”), is small and had to rely on a heterogenous alliance (Historic Pact for Colombia) to achieve victory. In government, as the alliance shattered with some of the parties failing to vote with the government, Petro and Márquez came under fire from all sides: the regional agricultural elites, the traditional parties (such as ex-president Álvaro Uribe's Democratic Center) and, of course, the media — which, as in many of the neighboring countries, is highly concentrated. As usual, accusations of corruption are the first tactics employed. In Petro's case, they involve illegal drug money in the electoral campaign and spying on his enemies.

In sum, except for Uruguay, where the Left governed for 14 years and was succeeded last year by a traditional, “normal,” neoliberal president, the politics of Latin America are unstable and often nasty. Progressive, conservative, and neofascist governments have been coming and going in many of the key Latin American countries. No particular set of policies seems to be able to take hold. One group reaches power when the others have disappointed their constituencies.

Why are they disappointed? Once again, because of living conditions, which have largely stagnated for at least two generations, beginning in the early 1980s and leading to rural and urban conflicts, underemployment, and that same permeability of the middle classes to neofascist messages as we are witnessing in the West. As the social tissue increasingly frays, those with a certain level of property and wellbeing feel threatened, and it is hardly a surprise that they resort to “saviors” and “punishers.”

And what makes the Latin American case so instructive for the developed West? I would argue that Latin America, being a “fragile” satellite of the Western world, is particularly exposed to the fluctuations that reveal a crack in the edifice of liberal democracy, in the way this form of government has developed over the last half-century.

While a significant portion of humanity has been living under the aegis of neoliberalism since the late 1970s and particularly after the fall of the Soviet Union, it seems that everywhere in the world the mental model of political stability is still the social-democratic system of the post-WW2 period, particularly in Europe, and known in France as “Les Trente Glorieuses,” the three “glorious” decades of growth with distribution, well-paid manufacturing jobs, widespread unionization, and a managed form of capitalism that guaranteed a comparatively high level of social participation in policymaking. In other words, we seem to expect a kind of world, with the living conditions it implies, that belongs to a bygone era. Our grandparents took a certain political security and quality of life for granted, and we still long for that. But it is not within our reach.

Social-democratic parties promise to reconstitute this historical structure, and occasionally win with that message. But they cannot deliver and lose face, support, and credibility. Then come the conservatives, who intensify the neoliberal agenda, only to cause more precariousness and financialization. Then come the neofascists, who generate horror, social conflict, and brutality. And the cycle repeats.

The illusory character of this somewhat rosy depiction of the mid-20th century is well-documented and nowhere more evident than in what was then called the “Third World.” In Africa, Latin America, and Southeast Asia, the voracious quest for raw materials and cheap labor left a trail of civil wars, coups, and massacres. This probably reminds you of the Vietnam War, but the military dictatorships in Brazil, Argentina, Uruguay, Chile etc., all of which were supported by the CIA, are also part of the story. The colonial grip over these parts of the world far outlasted the formal colonial ownership or “protection,” as we see from the Western interventions following independence wars in African countries. To a large extent, the comfortable lifestyle that the West associates with liberal democracy was built on the exploitation of the rest of the world, in a renewed form of colonialism.

What made possible the political balance that characterized the “Trente Glorieuses,” with strong trade unions, rising manufacturing wages, and social mobility (in French again: the “ascenseur social,” or “social elevator”), was the possibility and necessity of class negotiations and agreements. Neither capital nor organized labor could expect to have their way in full — even taking into account the strong communist parties of Europe, whose revolutionary flame was kept as low as possible most of the time. Political systems could remain stable and successful due to this delicate equilibrium. However, the equilibrium in turn was maintained thanks to a fear of the Soviet bloc, an unimpeded flow of cheap oil, easy access to resources and markets in the “Third World,” and the absence of serious economic competition from non-Western countries.

As we know, this model was progressively eroded by several factors. The quick rise in productivity that accompanied the industrial advance waned off, making it harder to keep the wage increases. The rise of neoliberalism eliminated the redistributive mechanisms that could have extended the balance of power between capital and labor for a few more years. The capacity of China and other Asian countries to attract manufacturing jobs with ever higher skill profiles, in part due to the opening of markets known as globalization, broke unions' bargaining power. Neoliberalism first emerged and reached power as a response to the exhaustion of the post-war welfare state, the social-democratic model. But it never truly replaced, even among the Left, the notion of a nearly ideal state of affairs where a certain level of democracy was guaranteed by what the German philosopher Theodor Adorno called “managed capitalism” [6].

What makes Latin America a particularly relevant place to understand where the structural power relations are heading elsewhere is that many of the countries mentioned above have been experiencing a post-industrial kind of stagnation for several decades already, after an incomplete process of economic development undertaken precisely in the period of late colonialism, Cold War, and the belief that industrialization was an infallible catalyst of development. Latin America, which never quite developed the institutions of Western social democracy, has to cope with swollen cities, underemployment and informal work, capital imbalances, crumbling infrastructure, but has poor political means to respond. And it was, after all, the site of the first experiment in neoliberal governance: Augusto Pinochet's Chilean dictatorship.

As a result, neoliberal, progressive, and fascist governments replace each other continually, not always in the smooth manner one expects from the ideals of liberal democracy. Occasionally, promises of improved living conditions can be fulfilled, but only to a limited extent, which is why the success stories are quickly followed by a period of frustration and revolt, leading to power changing hands again.

In this context, it is not hard to see that the authoritarian far Right has an edge. Its advantage comes at a low cost. By promising the past over the future, the known over the unknown, the neofascists of our time are always able to delay satisfaction and simultaneously keep their position by blaming someone else. The worse it gets, the easier it is to repeat the process. While an ultraconservative government cannot provide the quality of life that subsists in people's imagination as a mark of the 20th century — the economic and even environmental conditions are incompatible — it can still renew its promise by blaming non-conforming groups for the slowly worsening conditions of life. Hence, the ghost of communism, the widespread xenophobia, the justifications of racism, misogyny, homophobia, etc. that have become so common in our time. 

The post-WW2 model tends toward utter unattainability. It should no longer be our horizon of expectations. Bleak as this may sound, it is safe to say that the edifice of multi-party democracy is crumbling before our eyes. In a world where energy is no longer abundant, manufacturing does not guarantee safe jobs for the working class, unions are busted, climate change puts crop yields at risk, and the neocolonial control over the rest of the world can no longer be expected, the social-democratic balance is hardly tenable.

The greatest risk is that the dominant classes give up the pretense of democracy and revert to a more explicit authoritarian regime. This is most certainly already underway, if we think of the Republican Party under Donald Trump, Israeli prime minister Benjamin Netanyahu's reforms, the British Conservatives, the Spanish People’s Party, or Macron. Once again, Latin America provides a clear-cut example of this choice, as the Right turns to military and religious leaders in their attempts to regain or extend control over the state.

If we can still hope for democracy, we have to accept that it will not be social democracy and certainly not liberal democracy. Whatever it will turn out to consist in, it must be built from the ground up, and the very process of construction needs to be as democratic as the expected final result. In this respect, the bright side — and it is always advisable to conclude from the bright side — of the Latin American landscape is that this part of the world is also a vibrant cluster of the grassroots political and social experimentation we must nurture. The plurinational constitution of Bolivia, the ecosocialism being developed by the Brazilian Landless Workers' Movement, the strength of solidarity economy schemes in Argentina, and the articulation of indigenous movements in many of the countries show that the authoritarian conservative turn is not a matter of necessity. New models of collective life and social organization are being forged, and this is where we should turn to find inspiration.


Diego Viana is a Brazilian economic journalist. He earned his PhD in political philosophy from the University of São Paulo and covers Brazilian politics, economy, and social conflict.


Footnotes

[1] In its contemporary form, the concept is most often used in a way that corresponds to Jan-Werner Müller's definition as pitting a “pure and unified people” against a “morally corrupt elite.” This is, of course, not a helpful definition if we are trying to understand the inherent instability of the period. I will not discuss this definition, and also leave aside the appropriation of the concept of populism by Chantal Mouffe, Ernesto Laclau, and Pierre Dardot, as the question of defining populism is beside the scope of this text.

[2] The main instrument of Corbyn's downfall was a report that accused him of not handling antisemitism accusations within the Labour Party appropriately. Later, Al Jazeera revealed that the party bureaucracy actively worked to undermine his leadership, which included drafting the antisemitism report. Corbyn was later suspended from the party.

[3] In 2009, the Honduran president Manuel Zelaya was forcefully removed from office by the army, in a traditional coup d'état. In Paraguay, President Fernando Lugo was ousted after a summary impeachment process with only two hours to prepare his defense. The cause was allegedly the insecurity in the country after a bloody conflict between landless workers and the police. This inaugurated the series of “parliamentary coups” that reached Brazilian Dilma Rousseff in 2016. The Bolivian case is different in that it involves the questionable decision by the Supreme Court to allow President Evo Morales to run for a fourth term. After he won the election, accusations of electoral irregularities emerged and the military forced him to resign.

[4] “Peronista” designates the political groups that claim the legacy of Juan Domingo Perón, president in the late 1940s and early 1950s. The reason why one must specify that these “Peronistas” are left-leaning is that there are “Peronistas” of all tendencies, including the conservative Carlos Menem, who introduced neoliberalism to the country in the 1990s. Perón himself tended to favor the right-wing Peronistas. In the 1960s, when exiled in Spain, Perón gave an interview where he was asked to explain how he saw the Argentinian political landscape. He listed the parties but did not include “Peronista” as a category. The reporter reminded him of that, to which he replied: “Oh, but they are all Peronistas.”

[5] I will leave aside the cases of Venezuela, El Salvador and Nicaragua, whose paths are outliers.

[6] A possible reason for this is that the neoliberal agenda transformed living conditions gradually — except in transitioning countries subjected to “shock doctrine” — progressively eroding labor's position in the distributive conflict, in order to uphold Western capitalism's competitive edge. The slow, but sure erosion of the Welfare State and the possibility of what the International Labour Organization names “decent work” seems to sustain the hope for a return to managed capitalism.

Resurrecting the Ghouls: On the West's History of Hating Russians and Rehabilitating Nazis

[Pictured: The Azov Battalion, a Nazi paramilitary group that is part of Ukraine’s armed forces]

By Julien Charles

The immensely popular Swedish noir crime procedural novels by Lars Kepler are part of one of the more compelling series in Nordic crime fiction. In particular the Joona Lina series, in which police detectives track a Hannibal-esque serial killer who wreaks havoc on those he deems deserving. It only occurred to me late in the first novel that the killer is a Russian. Jurek Walter is an ex-soldier, remorselessly cynical, immune to pain, and a brutally efficient torturer and murderer of men and women alike. His feverishly demented goal is to ‘restore order’ by punishing those who have gotten away with a lot less criminal activity than murder. In short, an unimaginable psychopath of the kind that could only emerge from the ruins of the Soviet Union. The personification of evil.

The character in the novel embodied a version of Edward Said’s Orientalism, a process by which the West caricatures other regions, nations, and people in cartoonish and sophomoric ways. The better to understand them at a glance. Almost like a kind of intellectual shorthand by which to characterize and dismiss entire populations. Perform conceptual violence on them until they can be shunted into a shape that slides neatly into a western man’s conception of the world. Fits the Western cosmology, in which the U.S. and Europe shine as lodestars in a firmament of flickering blight. Everything in the heavens is of course in desperate need of guidance from the western polestar.

Examples of the dynamic of Orientalism are particularly rife in Hollywood. Countless series and movies have pitted pious Americans against a raft of crackpot Latinos, Slavs, Arabs, Persians, and Asians bent on genocide, world domination, and numberless other monomaniacal schemes. There’s of course no small amount of projection at work here in the fictional stylings of “the best minds of [our] generation”, as Ginsberg put it.

Not unlike the Kepler book, the Tom Cruise Jack Reacher films capitalize on the by now threadbare trope of a Soviet psychopath set loose in the naive and peaceable democracies of the West. The Zec is a man who escaped or survived the gulags in Siberia to wreak havoc on the West. In one scene, he describes how he once gnawed off a few fingers to avoid working in Siberian sulfur mines. A man of such exceptional capacities is no doubt useful to certain organizations, he muses. The Zec then encourages one of his low-level thugs to chew off his thumb as a show of fidelity, or some such deranged proof. The man—human, all too human—cannot do it and is summarily executed. The bloodless Zec then waxes psychopathic, wondering why westerners are so weak.

Observe the set pieces in the Jennifer Lawrence vehicle Red Sparrow. Scenes from the West are well-lit and overflowing with human emotion; scenes from behind the “iron curtain” are dimly lit, drab in color, stylistically old-world, barren of human empathy. In short, thoroughly depressing. Of course, as part of Lawrence’s character Dominika’s training in demolishing her human emotions (weaknesses all) and steeling herself in the arts of pitiless manipulation, she must appear naked before her class and satisfy the lust of a man who previously assaulted her.

 

Chronic Resentments

These are caricatures of Russians who evidently have been thoroughly dehumanized by life in the USSR. What has really dehumanized these characters is the propaganda which invented them.

Few events ignite this kind of Orientalism more than a war or proxy war with Russia, America’s bete noire. Despite the fact that the wall has been down for 30 years. Despite the fact that the West enjoyed an extended period of unrestrained looting in the Former Soviet Republics. During which time mortality rates skyrocketed for citizens of those fledgling states, thanks principally to the loss of the generous social supports that underpinned their Soviet economies. Despite the fact that Vladimir Putin is an avowed neoliberal who has repeatedly sought deeper integration with Europe and America, like a stepchild desperate to claim his birthright among a welter of siblings. Despite all this, Putin’s patriotic desire to reconstitute Russia as a viable economic and military power has damned him irreparably in the eyes of the West. He is like Kepler’s killer, the manifestation of undiluted evil. Except that Putin is real.

All this comes from a long lineage of Russophobia. It dates back to the Napoleonic Wars in Europe, which stirred fears of Russian plots to conquer Europe; to subsequent paranoia by British colonialists that Russia would steal the Indian subcontinent from its grasp; to the war to unseat the Bolsheviks and blistering responses to stories of mass slaughter under Soviet rule. In 1944, Hitler described Russians thusly, “These are not human beings: they are beasts from the Asiatic steppes, and the battle I am leading against them is the battle for the dignity of the people of Europe.” This view summarized the ideology behind Germany’s plan to murder 100 million Russians after the defeated the USSR. Likewise, we rarely hear that one of the small handful of groups energetically targeted for liquidation by the Nazis were communists. The Russians sacrificed 27 million people fighting off fascism. This loss is also infrequently highlighted.

The McCarthyite paranoia was a particularly acute instance of this chronic phobia. One can catch a whiff of the age-old bigotry in the propaganda of the present moment. The reflexive aggression toward Russia action in Ukraine (a recent article in The Times (UK) was entitled, “Russia’s casual savagery is seared into its soul”) This latest surge of bile seems in part an explosion of unresolved angst from the Russophobia of the Trump years, and perhaps a hundred years prior, though partially diffused by the fall of the wall. Yet it was still there even in the post-wall melees of capitalist looting under the doddering oversight of the Pushkin-quoting boozer Boris Yeltsin. Russians, Muscovites mostly, were freshly depicted as amoral, thieving mafiosi seduced by the flash of capital, the men brutal grotesques and the women biddable jades. Little was made of the valueless cosmos into which they’d been hurled by the blitzkrieg of capital on a society not remotely prepared for it.

(Much like the diagnosis of mental health in the West, problems of post-fall Russians were and are localized in the person, in the soul of a people, rarely traced to their societal causes. The New York Times just released a series on the “Inner Pandemic” of mental health issues, though it spends little time focusing on the circumstances that generated these crises, and which it enthusiastically supported.)

Even today one finds strains of the old Hitlerian trope coursing through the western mainstream. Recently on Germany’s ZDF channel, a guest of the Markus Lanz Show reminded viewers, with a slim smile, that, “Even if Russians look European, they are not European.” She rambled on incoherently about the Slavic view of death and noted that, “They have no concept of a liberal, post-modern life.” She may as well have said they were beasts from the Asiatic steppes and referred viewers to the Jack Reacher movie. After which, perhaps, they might donate to the latest national purity fund.

This seems to be part unhinged racism, but also a psychological necessity for enemies in nation-states. And one wonders if race isn’t utilized to that end. And whether this psychological need springs from a desire for national purpose, or more from an unrelenting need of capital for new markets—and the geospatial requirements that go with it. Surely the historical Lebensraum looms large behind modern geopolitical conflicts.

 

Addicted to Conflict

But it isn’t just the xenophobic fear of Slavic people. There’s another element at work here. One is reminded of Colin Powell, former leader of the Joint Chiefs of Staff—and dissembler nonpareil—before the U.N. Security Council. He once told a reporter that he feared he was “running out of enemies” in the aftermath of the fall of the Soviet Union. He was unwittingly disclosing a clandestine principle of Washington foreign policy. Namely, that it must always have an enemy. It cannot conceive a world of peaceful inhabitants, engaged in serene market exchange, celebrating a peace dividend while occasionally reminding new generations of the perils of conflict. This is not a conceit in the mental universe of the planners of American hegemony, be they retired generals on media networks, cabinet lieutenants sketching hemispheric takeovers, or well-compensated scriveners in beltway think tanks. And certainly not among the lurid corridors of K Street defense lobbyists. If Putin did not exist, Washington would have invented him. Much as they invented, to a surprising degree, Osama bin Laden and his Al Qaeda henchmen.

More often than not, the enemy must be cut from whole cloth. They do not ordinarily present themselves. Few countries are interested in going to war with the United States. At worst most nations are disinterested in submitting themselves to American rule, which manifests in numberless ways, a protean ogre extending its tentacles across the globe. Soft power, hard power, invisible power. Be it the petro dollar and the SWIFT system that places a subject nation under the perpetual threat of American sanctions. (A form of economic colonialism.) Be it bilateral security arrangements that infiltrate the country with U.S. military personnel and ensnare it in long-term weapons contracts with beltway defense contractors. (A form of military subjugation.) Be it onerous and odious loan agreements with Bretton Woods institutions that enslave generations of citizens to corrupt banks of the global North. (A form of vassalage.) From which those citizens’ meager avenues of escape include metastasizing debt service and consequent debt deflation, firesales of national patrimony, or the trauma of default, runaway inflation, and economic collapse. Choose wisely.

Rather than being enemies of the American state, such nations would really rather be left alone. To experiment with alternative economic models including socialism and its various hybrids. To trade in local currencies. To align in regional economic blocs. But this option–attempting to implement an economic structure other than western neoliberalism–is anathema to Washington. Just ask Russia, China, Iran, Venezuela, Brazil, Syria, Libya, North Korea, and any other nation that wishes to forge its own path.

 

The Real Enemy

Which brings us to the real enemy of the United States. Despite reports to the contrary, it is not fascism. Fascism is merely an end-point of capitalism, which will almost assuredly emerge wherever capitalism is practiced in unregulated and unrepentant fashion. As middle class wealth craters, however broadly, and extreme wealth and privilege expands, however narrowly, it will require force to generate compliance within a resentful and restive population. We are witnessing this transition in the West right now.

All this to say that, no, fascism was never the primary nemesis. The real enemy is communism. Western capital cannot abide the notion of a workers' state full of nationalized enterprises committed to the general welfare. One which deprioritizes the profit motive and tars it with the stigma of avarice and usury. This is and has always been Washington’s worst-case scenario, which it watched materialize in the Bolshevik Revolution, a knife in the side of capital that drew blood for 74 years, and which it tried hysterically to end all the while.

Not even the shameful scourge of Nazism rising up in the heart of civilized Europe was enough to lift fascism above communism as public enemy number one. As John Steppling notes in an excellent essay on the rehabilitation of fascism, Arthur Schweitzer, author of Big Business in the Third Reich, says that many German businessmen saw virulent anti-semitism as little more than a form of “economic policy reform.”

It is instructive to read works like The Splendid Blond Beast, which outlines the myriad deceptions of the postwar era of supposed deNazification in Western Europe. As it turns out, Washington was torn on the prosecution of Nazi war crimes. Although Frederick Roosevelt and others supported harsh punishment, helped establish Nuremberg and sent principled judges like Robert Jackson, others like powerful Director of Central Intelligence Allen Dulles and his Secretary of State brother John Foster Dulles sought to shield German industrialists and military officers, all deeply complicit and enthusiastic collaborators in the Nazi extermination campaigns.

Then there was Operation Paperclip, a full program dedicated to repatriating Nazis in the United States and installing them in key posts in pivotal internationalist institutions like the UN. And Nato’s alleged role in Operation Gladio, code name for a series of stay behind secret armies committed to armed resistance, acts of subversion, and terror, that were to be activated in the event of an invasion of Western Europe by Warsaw Pact nations, something never on the books in Moscow, but alive in the feverish imagination of beltway anti-communists. These dispersed embedded and hastily assembled paramilitaries were actually left behind to agitate against and prevent the rise of leftist (see communist) political blocs. They operated in Italy, Greece, France, Germany, Portugal and across Northern Europe. Nato, the CIA, and various European intelligence agencies were not about to watch Western Europe go communist regardless of what the democratized masses aberrantly desired.

Much of this history suggests that the underlying need of capitalism for new markets is primary, and perhaps that race is a tool leveraged to rationalize what is at bottom base exploitation. Hence our general acceptance of fascism in Ukraine and hysteria against Russia.

 

Selective Outrage

We might argue that this is different: Russia invaded another country. On investigation the argument falters, fractures amid a sea of sharp facts: a foreign backer, a coup d’etat, an ultranationalist takeover, a Nato infiltration, a legal apparatus mobilized against its own citizens, a massacre of ethnic Russians, preparations for a final assault. And finally, a full response from Moscow.

But even if an invasion were our threshold for outrage, none of this pathos has been evident in our response to the U.S.-backed Saudi war on Yemen, or U.S. wars on Libya and Syria. Even though the western aggression is criminal and death tolls are staggering. Even though there were plenty of visuals and myths available to rouse the choler of the people: visions of rampaging soldiers on Viagra rape sprees; grotesquely thin and lifeless children in the dust of the KSA’s induced famine; the hurling of gays off rooftops in Raqqa by ‘moderate rebels’. No, our collective consciousness has definitely been conditioned to despise most of all the legatees of Soviet communism, punished for the sins of the father in the first instance and for the defense of their national autonomy in the second. War, and war propaganda, is often a kind of industrialized hatred, organized malice armed with the implements of death.

As Arthur Ponsonby says in his book Falsehoods in War Time, deceitfulness is extraordinarily useful because humanity is mendacious and credulous in near equal measure. It lies and refuses to believe it is being lied to. Ponsonby, a member of British Parliament writing after World War I, says that nations must “justify themselves by depicting the enemy as an undiluted criminal; and secondly, to inflame popular passion for the continuance of the struggle.” Obviously little has changed since our initial experience of industrial warfare. We are constitutionally and economically committed to domineering aims, are inimical to anything that might impede our expansion, and we rationalize our behavior to these ends with a healthy dose of projection abetted by racist caricature. It is a frightful concoction of pitiless greed and base prejudice.

Yet every time we think we have put these cruel rancorous sides to our human selves to rest, they reappear, refashioned in new apparel, with fresh logic, ironclad rationales. We are sold a bill of goods. Perhaps this should come as no real surprise to citizens of a country that worships a single skill, salesmanship, and a single “virtue”, wealth, as its most sacred values. Everything is a commodity and everything that has been sold in the past will be sold again. Our entertainment culture is rife with reproductions of yesterday’s stories. Why not re-commoditize fascism? Wave the colors of a new flag and herald the insignia of a new battalion. Lionize a new leader, dress him in army green and pose him on the marble stairs of the halls of power, sandbags stacked to the roofs behind him. Honor under siege.

What has been sold before will be sold again; what we have hated before we will hate again. If it isn’t quite eternal return then it surely is history recurring as tragedy then farce. This soft embrace of fascism and rabid anti-communism goes all the way back to the Bolshevik uprising. As one of Kepler’s Nordic tales is subtitled, “Sometimes the past won’t stay buried.” Yes, the graves are always rather too near the surface.

 

Julien Charles is a concerned citizen hoping to call attention to the authoritarian drift of states across the Western world, and the disingenuous narratives promoted to gain consensus for such measures.

Questioning Violence in the Wake of the Right-Wing Mob Attack in Washington, D.C.

By James Dugan

“The way the oppressor tries to stop the oppressed from using violence as a means to attain liberation is to raise ethical or moral questions about violence. . . . [V]iolence in any society is neither moral nor is it ethical. It is neither right nor is it wrong. It is just simply a question of who has the power to legalize violence.”

–Kwame Ture, 1969.

We won’t soon forget January 6, 2021—the day in which the nationalistic, xenophobic, and vitriol spewing conspiracy theorist, President Donald Trump, incited a violent far-right mob to descend upon and occupy the U.S. Capitol. The riot, all but ushered in by Capitol Police, resulted in 5 deaths, the evacuation of lawmakers, and the disruption of what is typically a ceremonial session to certify the Presidential election results. Elected officials quickly took to Twitter to denounce the siege and criticize violence from both sides of the political spectrum. Senator Ted Cruz tweeted, “The Constitution protects peaceful protest, but violence—from Left or Right— is ALWAYS wrong.” Presiding over the resumption of the Joint Session of the Congress, Vice President Mike Pence echoed the sentiments of many Twitter handles, stating, “To those who wreaked havoc in our Capitol today, You did not win. Violence never wins. Freedom wins.” In short, condemnations of violence carried the day. Yet, as we continue to unravel and examine these extraordinary events, we might detour to ask why politicians were so quick to equate and denounce violence from both sides when the violence on January 6th came from only one: the extreme end of the far-right.

As a jumping off point, we might first question the assertion that violence is “ALWAYS wrong” by asking whether it has ever been true in our country. In what way is the claim that “violence never wins” accurate? Does not the State, from the Pentagon to the local police precinct engage in violence to enforce policy every single day? Is our country’s origin not rooted in and upheld by violence? These questions in mind, an initial attempt at interpreting the real meaning of the unified denouncement of violence by elected officials on January 6th might read, “Violence on both sides is wrong because violence has been monopolized by the State. Violence is only right when the State engages in it.”

While this definition is certainly more instructive, two lines of questioning should be raised before we accept its legitimacy. First, at what point in this country’s history has violence from the left and violence from the right ever been treated equally by the State? Isn’t our history littered with examples of white vigilante violence that the State either openly allied itself with or swept under the rug? From the civilian militias that assisted the State in quelling slave revolts in the 1800s, to the campaigns of terrorism deployed by the KKK throughout the 20th Century, to the police departments that align themselves with white supremacist organizations at protests today (E.g., Kenosha, Wisconsin), violence coming from the far-right has not only evaded punishment, it has been effectively endorsed by the State.

The second line of questioning that should be pursued relates to the position of the State itself. When the State is engaging in violence, is it doing so as some neutral enforcer of justice? Upon the political spectrum, does the State sit objectively in the middle between right and left? To answer this, we might first say that the function of the State is to maintain the structural integrity and stability of Society. At first blush, that sounds neutral enough. But, if our society is inherently unequal—if it is steeped in racial and economic inequality—if it is built upon a foundation of colonization, slavery, and imperialism—is the State which upholds it truly an unbiased authority? Or does it sit far to the right of the political spectrum as an entity that maintains systems of oppression on behalf of those who benefit from economic exploitation and white supremacy? Asked in simpler terms, if the status quo is unequal, and the State exists to maintain the status quo, to which side of the political spectrum does the State’s existence benefit? Understood in these terms, the State exists not as an impartial mediator between left and right, but—as put by Lenin—the “creation of ‘order’, which legalizes and perpetuates [] oppression.” The State thereby exists to deprive “the oppressed classes of definite means and methods of struggle to overthrow the oppressors.” As such, the position of the State is indistinguishable from the position of those who seek to maintain this country’s unequal conditions—i.e., the conservative right.

Why is the State willing to denounce violence from “both sides” if the State effectively exists to serve the right? Well, it should first be noted that this hasn’t always been the case. At times when the State has been unable to quell liberation struggles and social justice movements on its own, it has called upon reactionary civilians to assist in “maintaining order.” By way of example, we can point to the militias that assisted the U.S. Army in protecting settlers as they invaded unceded indigenous land and the militias that assisted the State in massacring coal miners who went on strike to improve working and living conditions. We can point as well to the Fugitive Slave Act—whereby civilians were required to enforce and return fugitive slaves on behalf of the State and wealthy plantation owners. That the street-level fascists—who, as an aside, were so anti-mask that they chose not to wear them while committing crimes in one of the most heavily surveilled buildings in the world—will certainly be made examples of and serve prison time for their federal offenses doesn’t change this reality. It is merely an example of what Benjamin L. McKean calls the “dance between the far right and the electoral right.” As stated in his recent take on the events for Jacobin Magazine, “Right-wing political parties can deplore right-wing street violence while using the disorder caused by reactionary mobs as another occasion for extending power.”

That aside, the State is comfortable in denouncing violence from “both sides” because, when push comes to shove, the State will act on its own behalf to violently suppress any movement that threatens the established order.  In an era in which the Defense budget is to the tune of $740 billion and nearly every local police department is militarized to the point of mimicking a Regiment in the U.S. Marine Corps, the State doesn’t need far-right extremists because the State has the ability to use violence whenever necessary. By monopolizing the use of violence, the State masquerades as a neutral body that proffers to only use force when absolutely justified. But, in practice, the left is typically the only side in which the use of force is ever necessary. The State need not use violence against the far-right because they exist on each other’s behalf—i.e., they are on the same team. The far-right doesn’t threaten the current order, which as we established above, is one of domination and inequality. Thus, in effect, we have finally reached an understanding of what the trope in question actually translates to: “Violence from the left—i.e., violence from the side of the oppressed—is always wrong.” This is the language that has been and will continue to be weaponized against pro-justice movements that yearn for a less oppressive existence. We should be unsurprised when the aforementioned tweets from January 6th resurface in the future to justify the brutal repression of efforts from the left to change the racist and exploitative status quo.

So, let’s return once more to the premise that violence is “ALWAYS wrong.” How can this be true? We have shown that the State has engaged in violence for centuries. We have also shown that the right has done the same without reprimand. Finally, we have established that the current order of our society is one of inherent inequality; an immoral condition of antagonism between—as Malcolm X once put—“those who want freedom, justice and equality for everyone and those who want to continue the system of exploitation.” At this juncture, Paulo Freire’s words are instructive: “With the establishment of a relationship of oppression, violence has already begun. Never in history has violence been initiated by the oppressed. How could they be the initiators, if they themselves are the result of violence?”

What do we do with the apparent paradox that Freire raises? Perhaps it is the initiation of violence, rather than violence itself, which is always wrong. Is violence always wrong, or is violence only wrong when it is used to oppress and exploit; to subjugate and tyrannize? Maybe the more important conclusion to reach here is that self-defense, whether violent or not, is not wrong. Malcolm X had one of the most percipient understandings of the nuances between violence and self-defense. To quote his words once more, “I don’t believe in violence—that’s why I want to stop it. And you can’t stop it with love. So, we only mean vigorous action in self-defense and that vigorous action we feel we’re justified in initiating by any means necessary.”

Alternatively, the paradox could be resolved even if we come to agree with establishment politicians and reactionary conservatives in saying that violence is always wrong. Taking Freire’s words as true, this is merely an admission that the current conditions in this country—the current relationship of oppression—is violent and wrong. If such is true, then perhaps we narrow the definition of “violence” so that it doesn’t include self-defense. Nonetheless, whether only the initiation of violence is wrong, or whether violence is inherently wrong but is defined in such a way as to exclude acts of self-defense, the result is the same: the oppressed are justified in striving for freedom by any means necessary.

With this analysis in mind, we can test the veracity of the Mike Pence/Ted Cruz assertion by raising a few historical questions:

Was Toussaint Louverture wrong to lead the Haitian revolution?

Was Nat Turner wrong to initiate the Southampton insurrection?

Was John Brown wrong to raid Harpers Ferry?

As we ruminate on these final inquiries, we might keep the wisdom of Assata Shakur and Kwame Ture in mind. The former informed us, “Nobody in the world, nobody in history, has ever gotten their freedom by appealing to the moral sense of the people who were oppressing them.” The latter concisely stated, “In order for nonviolence to work, your opponent must have a conscience. The United States has none.” 

Encoding Anti-Blackness: Castration In the Digital Age

By Kahlil Martin Wall-Johnson

 

Like the Senegalese street vendors that sell heart pins imprinted with all the common Spanish names, El Negro de WhatsApp has become available for any cause. Like the cards aisle at Safeway, better yet, you can customize him yourself. A single Google images search will provide you with a daily ration of his infinite reconfigurations. When the meme first emerged, I belonged to several WhatsApp groups (classmates, football team, etc.), in which I was usually the only non-Spaniard, and always the only person who claimed any Black ancestry. It began as a Bait and Switch prank; you receive an innocent URL pertaining to something of interest (the bait), then as soon you bite, the link redirects you to El Negro de WhatsApp (the switch).  The bait could also be an image, cropped in such a way that he is hidden until you scroll down. In the original prank, he stands before a dirt road in front of several crumbling cinder block structures. His wiry frame supports only three articles of clothing: a plaid bucket hat that shadows his eyes, a blue towel draped over his shoulders and a green fishnet tank top. His left hand is supporting his 18-inch, flaccid, veiny penis. In fact, the penis is not his at all, it was created thanks to photoshop, a quality of the image that is often overlooked. From coffee mug to Christmas cheer, El Negro de WhatsApp outgrew the category of prank before its first birthday to become “the biggest meme produced by social media culture in our country[1].

One street vendor’s name was Ousmane. Like so many other Senegalese men, he sent money home to his family, whom he only saw once every several years. As he is the prototypical African immigrant in Spain, it is not a stretch to suggest a representational correspondence between Ousmane and El Negro de WhatsApp, cached in the phones of so many Spaniards. Might we ask; Who is the true butt of the joke, the Spaniard who takes the bait? Or the object of humor, standing before the recipient with a basket full of trinkets and a fake smile? Ousmane’s inventory ranged from lighters and chewing gum to exotic keepsakes such as carved elephants and cowry shell jewelry.  He always said “perfecto” when asked “como estás?”. It would appear that the Spaniards who pass him by are trafficking a keepsake of their own; the photoshopped African body.

When this image startles the pranked individual, a scramble ensues to exit the page - the circumstances hardly provide time for reflection. Whether or not it’s real is beside the point. As far as Fanon’s prelogical thought is concerned, The Negro of WhatsApp stands for the African immigrant, invader from the south, an external threat to Spanish national integrity. Hordes of young Africans are swimming north, across the Strait of Gibraltar. Mothers hide their daughters, bishops cross themselves, the newspapers cry rape. The province I was living in at the time is glorified as the place where the Christian Reconquista of the Iberian Peninsula began. This, as well as its being the only region not conquered by the Moors, is a source of great micronationalistic pride for the local Asturians. “Asturias es España, lo demás es tierra conquistada” [Asturias is Spain, the rest is conquered land] goes the saying. They even claim celtic ancestry, along with lighter hair and eyes, than their lazy southern counterparts. It is said that Rey Pelayo, blessed by the Our Lady of Covadonga, started throwing rocks at the Moors in 718 ad. Pelayo remains one of the most common names in Asturias to this day. He might have to start throwing rocks again.

Upon my return to the United States a parallel fantasy was waiting for me, only differing from El Negro in that it was molded to North American representations of Blackness. You may know him as Wood Sitting on a Bed, or Huge Penis Guy. Vice Magazine describes him as “The Man Bigger than the Meme[2]. The big Black American athlete, three hundred pounds of muscle staring at you, legs open. Dubbed the “hero of the pandemic” by Know-Your-Meme[3]. This time, the bait was often an irresistible yet unbelievable coronavirus update. The man in the image is the late Wardy G. Joubert III, now available on Covid-19 masks and Christmas socks.

The meme, in this case a symbolic instrument of white culture, exists for only a fraction of a second on the viewer’s screen. By its very ephemeral nature it defies contextualization, but white people didn’t start collecting Black nudes today. A chronology was needed to rescue these memes from the retrograde amnesia of cyberspace. How do you anchor something in time if most people only see it for half a second?  The first two chapters of David Marriott’s treatise On Black Men offer themselves as an eclectic meditation on the history of Black male genitalia in photography. A macabre genealogy threaded through three seemingly isolated events; the use of kodaks at the lynching scene, the photography of Robert Mapplethorpe, and the souvenirs of Jeffery Dahmer’s homoerotic, cannablist, murderous exploits.  Sufficiently eclectic to beckon the meme.

Marriott links these events by suggesting that “looking is a form of incorporation, of taking something inside[4],  and draws from Otto Fenichel’s psychoanalytic interpretation of the ocular system; “‘the eye’ Fenichel writes, ‘is conceived as an organ that robs and bites’[5]. I intend to stretch this reading to include El Negro and Wood, symbols which are too crudely phallic to refrain from dabbling in the itineraries of classic psychoanalysis. Having agreed to humor this aspect of Marriott’s work, my intention is not so much to directly entertain psychoanalysis as to engage with said interpretation as a guiding metaphor, or ancestry test of sorts, in order to contextualize these memes. My reluctance to rely or dwell on the shock value of On Black Men’s content should also be admitted. In any case I hope the blood splatter will speckle the ahistorical and humorous scaffolds of the meme, as you will see it is not I who has worked the initial connection between art and assault, but Marriott himself.

Insofar as El Negro and Wood, prior to the incisions of Adobe Photoshop, were photographs, and as such, faithful to certain constricts of the real, it is only fitting to touch ground with the first turn-of-the-century mass-produced roll-film camera. In this regard, the ubiquity of Kodaks at the lynching scene attests to the predilection of the camera for the ravaged Black body. ”The photograph is there to be gazed at, and fingered, over and over again: Look at me, I was there[6] infers Marriott, who italicizes the lynching scene as a site of castration; “White men, and women, demand a keepsake, a memento mori: toes, fingers, or - most highly prized - a black penis[7]. The tradition of collecting these keepsakes, mutilated and transformed, has weathered the test of time. Lest we forget that El Negro de WhatsApp is the handiwork of a skilled digital surgeon. But why collect these keepsakes at all? Marriott meditates on the function that looking upon the Black body in such a way has for the white psyche as he likens the camera lens to a prosthetic organ - a peculiar means of self-fashioning by embedding oneself in the flesh.

Now we turn from the gala of the lynching scene to the Whitney Museum of American Art, New York, the year is 1989. You stand before Robert Mapplethorpe’s X Portfolio, a photograph of “a man, clad in leather, urinating into the mouth of another man” disrupts your field of vision[8]. Next you are confronted with images of a “trussed-up, lacerated scrotum and penis”[9]. Finally, you come across Mapplethorpe’s Black male nudes. “Sullen and heavy like the trunk of an elephant” muses a critic[10], as he describes Man in Polyester Suit; a photograph of a man’s waist, the Black penis “hanging, ‘veiny and pulpy’” from the pant zipper[11]. “So exotically weird” ...” inhuman, like some parasite species that has managed to graft itself on to the human form... The penis looks like an elephant's trunk, not really human at all, certainly not civilized.” writes a different observer[12]. These descriptions share an uncanny resemblance with those of El Negro de WhatsApp, whose fictitious genitalia were also dubbed elephantine - “un pene elefantiásico”- by El Confidencial[13]. The Museum goer (and prank recipient) suddenly finds that repulsion and attraction are not mutually exclusive. “How do you start to tell the difference between the two?” asks Marriott of the spectator struggling to separate disgust from desire[14].

This interplay is reminiscent of the pranked Spaniards and (white) Americans attempting to reconcile their homophobic values with a deep curiosity and intrigue in the Black body. How do we account for heterosexual men in two deeply homophobic cultures obsessing over artificially enlarged male genitalia? El Negro and Wood, two of the most circulated visual tropes today, happen to be stimuli few would admit to wanting to see. Does the recipient exit the page? Or does he inspect the goods? For Marriott, gazing intensely at an object implies an element of castration; “to incorporate, to eat, through the eyes; to want to look, and look again, in the name of appreciating and destroying, loving and hating.” are all part of the same process[15]. Exploiting this analogy to its fullest permits an interpretation of the photograph as the site at which this process of devouring and spitting out is recorded. The question that I intend to revisit is: what does this particular interpretation connote for software with the capacity to imperceptibly edit an image? But for now, what of Mapplethorpe “as a (white) man who cuts up bodies in the name of art[16]? And of these photoshop specialists (presumably white) who cut up Black bodies in the name of humor? In this regard, On Black Men calls forth the violent history of the Black body and film; “‘the camera cuts away’” writes Marriott,” ‘like a knife, allowing the spectator to inspect the goods’”[17]. The reader cannot help but be reminded of the lynching spectator, to whom the camera offers itself as a means to cut something away and save it for later.

From this point on, whatever stood between figurative devouring of human flesh and actual cannibalism is thoroughly shaken, as the (white) serial killer, rapist, cannibal, and photographer Jeffery Dahmer is incorporated into our genealogy, an addition that Marriot admits, may appear to be outrageous. When a cache of Polaroids hidden in a drawer depicting “bodies naked and abed, ripped open and dismembered”, “images of scattered remains -- lungs, intestines, penises, livers and hearts”  was discovered by the Milwaukie Police Department of Wisconsin, it took the officers at hand several moments to conclude that the images were, in fact, real[18]. Dahmer’s surgical expertise in both photography and human anatomy, which he acquired in the military, lent a deeply unsettling, meticulous quality to his ineffably revolting obsession with the Black body. Marriott notes how his “bizarre ‘enshrinement and desecration’ also marks the aura of photographic memorabilia at lynching scenes” and, in considering the photographed bodies as “sliced open to the cruel yet determined gaze of a man”, he pushes us to consider how the perpetrator’s hands were no more guilty than his eyes[19]. “But was the best way of killing them to take their pictures; or the best way of picturing them to see them dead?[20]

The chronicle of events developed by Marriott is somewhat at odds with Sadiya Hartman’s inclination to “illuminate the terror of the mundane and quotidian rather than exploit the shocking spectacle[21]. While these distinct emphases are not incompatible, it would nonetheless appear that targeting an everyday artifact of internet culture aligns itself with a quotidian-oriented approach. In light of this concession it would be Marriott’s inclusion of Robert Mapplethorpe’s art that warrants any cross examination (or jumps) from his genealogy to our objects of concern. On this subject I should add that my account of On Black Men cannot possibly have done justice to Marriott’s synthesis of art, lynch mobs and serial killers. The point not to be missed here is that in all the events in which we have centered the Black man, the same organ is under siege, in much the same way.

The Well-Endowed Man and El Negro de WhatsApp images were first posted by the accounts misterflyy and aquastorm427, respectively. Assuming that the individuals behind these accounts are also the creators and editors of the original image, what can we say, for example, of aquastorm427 as they sat before the unedited original photo, freshly imported into Adobe Photoshop, mouse in hand, ready to cut and slice? Or of misterflyy, gazing, full of ideas at the original image with Photoshop’s surgical tool kit, prepared to sever and disfigure? As I asked before, where do these cyberspace anonymities laboring under the guise of humor, stand in comparison to Mapplethorpe as a man who slices bodies to produce art? If the camera is analogous to the eye, insofar as it “robs and bites and cuts into people” and the photograph to a relic on which this process is inscribed, then anatomically to which organs do we link Photoshop[22]?  Perhaps the mouth and hands that disembowel, transform and redetermine? The creation of these memes requires that the original image be castrated, the penis traced and staked out, then removed from the body and set aside in order to be enlarged and manipulated. The Black groin, in an act that reaches back centuries, is digitally castrated and helplessly returned, oversexed and rapacious, to the public eye, as fact.

It should be repeated that after the original bait and switch pranks began to circulate massively, the images have been subject to even more modifications and edits. In other words, the inflated Black penis, has since been extirpated from the already edited meme and inserted into an innumerable, and ever growing, amount of spin-off memes, similar pranks and merchandise. In this sense, the oversexed phallus of the captive body, now doubly castrated, has undergone a continuous process of distillation and abstraction. Fanon’s critique of Michel Cournot could equally have been meant for El Negro de WhatsApp. ”No longer do we see the black man; we see the penis: the black man has been occulted” he wrote[23]. Recalling how the bucket hat eclipses El Negro’s face, we see the Black man occulted once more.

The object status of Blackness means that it can be placed and displaced with limitless frequency and across untold territories[24]. Wood and El Negro are radio waves, bouncing off satellites just to make you squirm. I believe this has something to do with what Afropessimists have coined the fungibility of the Black; while being “substitutively dead”, it is also “passionately enabling[25]. This helps to explain how the caricatured Black penis, now understood as “property of enjoyment”[26],  can be used to feel so many things; be it in its capacity to enable the avant-garde spectator of Mapplethorpe’s photography to be artistically pushed out of their comfort zone, to permitting Jeffery Dahmer to feel “oddly and humanly loved and alive.[27], or to shock a friend with a text. In this line of thought, Matamoros-Fernández comments on how the “black male body in this meme is often transformed to humorously convey different emotions in everyday conversations on WhatsApp. White people can photoshop “El Negro de WhatsApp” with a shrunken penis and share the meme to express that the weather is cold, or commodify the same black body as an exaggerated reaction to the latest breaking news[28]. Accordingly, the “limitless frequency” and “untold territories” that Wilderson writes of are even more relevant when we factor in the nature of cyberspace and the intensity with which these images are being modified and circulated. By anyone with a computer, they can be edited, cut, captioned and projected through space at light speed, eternally cached in the vast repository of the internet. “Liberated from time and space, belonging nowhere and to no one, simply there for the taking[29].

To suggest that the operations, or mental behavior, that discern honesty from everything else occur at more than one level of consciousness bespeaks no allegiance to psychoanalysis. Photography presents itself as “preeminently a world of fact, not of dispute about facts or of conclusions to be drawn from them[30]. The medium appears not to have been meddled with, an attribute that editing software subverts.  Assuming that a select few will consciously recognize these images as edits, it would be unwise to allege this recognition to all levels of consciousness. Afterall, how does fictitious photography fit into our previous representational schemata? The skilled Photoshop technician harnesses the polarized distinction between fictitious fabrication and photographic evidence. I find it timely to add that these two memes were not confirmed as edits until their metadata was run through Fotoforensics and their originals tracked down. In other words, there are no remnants of the operation that betray Wood or El Negro’s claim to the darkroom of evidence. Such software has the potential to be a smuggling route for dreams to enter the social imaginary as fact, a means to hide the creative process.  This sleight of hand universally disguises fantasies with unparalleled sophistication. After centuries of refining the act of disfiguring the Black man’s groin, European and American culture can sew him back together without leaving a trace of deadly fetishistic investment and compulsive fascination in, and with, the rhythm of Black physiology that lurks beneath the innocent facade of meticulously rearranged pixels. This helps to illuminate the violent element inherent to distorted representations in other mediums. When Black masculinity is hypersexualized by the orator, the writer, or the painter, the Black body still passes through the meat processor of cultural fantasy as these attributes are grafted onto the captive body. Here however, in the case of photoshop, this step is far more tangible as it is easily observed on the screen. 

The consequences for Black men of a rendezvous with a phobic image of themselves has as of yet been largely ignored, a question that sits as the primary concern of the introduction to On Black Men. Here Marriott engages at length with Baldwin and Fanon to remind us of how the Black man at grasp with these pranks is “both victim and spectator- spectator as victim” and signals the perils of surrendering to the screen[31]. If we pay heed to Fanon’s depiction of the Black psyche as “violently intruded upon and displaced by racial hatred and phobia” when considering the pranked Black individual[32], the situation of violent intrusion garners an additional layer. His guard is down, intrusion is then both literal (on the screen), and psychic. The reasons for which I have delayed addressing the dangers of the screen for Black people, as forewarned by Baldwin, is that said critique is primarily concerned with cinema, suffice to say a public viewing space. It is worth pointing out that while cyberspace offers a platform unprecedented in its capacity to harbor and disperse material of any kind, most Black people have no means of accessing, never mind negotiating, the content of non-Black chat rooms, or (WhatsApp) group chats.  Insofar as I have considered the ubiquitous utility of these memes a manifestation of fungibility, Frank Wilderson III comments on how “There is nothing real Black people can do to either check or direct this process[33]. This could be aptly used to reflect on the safe-from-scrutiny quality of non-Black virtual spaces. This would make el Negro and Wood slightly more akin to an inside joke than a publicly displayed stereotype of white culture, a distinction that in no way intends to disregard the experiences of the many Black people who have been (and will be) ambushed by the switch.

Yet another question laid down by Fanon is nabbingly relevant; “Is the Negro’s [sexual superiority] real? Everyone knows that it is not. But that is not what matters. The prelogical thought of the phobic has decided that such is the case[34]. The capacity of editing software to refurbish rumor as fact renders Fanon’s argument somewhat dated, as he does not factor in (nor could he have) the malleability of the digital. His reflections on representations of Black men describe a time when the imago was reproduced through folklore, oral tradition, literature and cinema. Today the genital power of the Black man, “out of reach of morals and taboos[35], is perjured by distorted pixels, sustained by photographic documentation, no longer relegated to the plane of prelogical phobia. 

While these pranks do point to the imperative of implementing regulatory, internal, digital platform policies, it would be nothing other than disrespectful to thinkers such as Fanon and Wilderson to suggest that the sexual demonization of Black men could be curtailed through a gesture as abstract as coded policy. Nonetheless, understanding how these representations are molded to the limitations and possibilities imposed by technology aids in paying heed to the “tremendous capacity for reconfiguration in the service of continued dominance” of anti-Blackness[36].  The bulk of the literature made use of here to examine these images operates within the premise that the libidinal economy of non-Black life and the biological vilification of the Black man are inextricable. Acknowledging an endorsement of the demise, however fabled it may be, of American and European culture as we know it is the only scenario that permits a meaningful condemnation of these particular representations, while still faithfully engaging with the aforementioned authors.

 

Notes

[1] AS, Por fin sabemos de dónde surgió el “Negro del Whatsapp.” (May 15th, 2019), https://as.com/epik/2019/05/15/portada/1557912221_652932.html, (accessed August 20, 2020).

[2] Zaragoza, A. (2020b, June 9). The Untold Story of Wood, the Well-Endowed Man From Those Coronavirus Texts. Vice. https://www.vice.com/en_us/article/wxeywy/the-untold-story-of-wood-the-well-endowed-man-from-those-coronavirus-texts,

[3] Know Your Meme, Bait and Switch Videos / Pictures. (August 17th, 2020), https://knowyourmeme.com/memes/bait-and-switch-videos-pictures, (accessed August 20, 2020).

[4] David Marriott, On Black Men, 1st ed., Vol. 1, (Columbia University Press, 2000b), 25.

[5] Ibid, 27

[6] Ibid, 9

[7] Ibid, 9

[8] Ibid, 23

[9] Ibid, 23

[10] Ibid, 25

[11] Ibid, 25

[12] Ibid, 25

[13] Antonio Villarreal, La auténtica historia del “negro de WhatsApp.” (El Confidencial, December 31st, 2019) https://www.elconfidencial.com/tecnologia/2019-05-10/meme-negro-whatsapp-historia-nsfw-123_1991262/#:%7E:text=En%20Italia%20circula%20el%20bulo,de%20WhatsApp’%20es%20John%20Umweto

[14] Marriott, On Black Men, 27

[15] Ibid, 27

[16] Ibid, 24

[17] Ibid, 28

[18] Ibid, 35

[19] Ibid, 36

[20] Ibid, 36

 [21] Sadiya Hartman, Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America (Race and American Culture), 1st ed., (Oxford University Press, 1997), 4

[22] Marriott, On Black Men, 27

[23] Franz Fanon, Black Skin, White Masks, Revised ed., Vol. 1. (Grove Press, 1952), 147.

[24] Frank B. Wilderson III, Red, White & Black: Cinema and the Structure of U.S. Antagonisms, 1st ed., (Duke University Press Books, 2010), 235.

[25] Ibid, 234

[26] Ibid, 89

[27] Marriott, On Black Men, 39

[28] Ariadna Matamoros-Fernández, ’El Negro de WhatsApp’ meme, digital blackface, and racism on social media. First Monday, 25(12), 2020 https://doi.org/10.5210/fm.v25i12.10420 (accessed August, 8th, 2020).

[29] Wilderson III, Red, White & Black, 235.

[30] Neil Postman, Amusing Ourselves to Death, (Penguin Group, 1985), 73.

[31] Marriott, On Black Men, 4.

[32] Ibid, 10

[33] Wilderson III, Red, White & Black, 235.

[34] Fanon, Black Skin, White Masks,137.

[35] Ibid., 154

[36] Jared Sexton, Amalgamation Schemes, 1st ed., (Univ Of Minnesota Press, 2008), 133.

 

Americanism Personified: Why Fascism Has Always Been an Inevitable Outcome of the American Project

By Colin Jenkins

"When fascism comes to America it will be wrapped in the flag and carrying a cross." This quote, which has often been misattributed to Sinclair Lewis , is wise in its recognizing the authoritarian potential of both nationalism and organized religion. In slight contrast, Professor Halford E. Luccock of the Divinity School of Yale University said in a 1938 interview , "When and if fascism comes to America it will not be labeled 'made in Germany'; it will not be marked with a swastika; it will not even be called fascism; it will be called, of course, 'Americanism.'" Luccock's view was that of a Christian theologian during the height of Nazi Germany, likely meant to not only downplay the role of religion but perhaps more so warning against the false idolatry of nationalistic reverence.

Despite the tidbits of insight offered, both quotes underestimate Americanism as a highly-authoritative and dominating national project in and of itself. At the time of both quotes, America had already cemented strong elements conducive to fascism: an economy based in capitalist modes of production, a geography created through mass extermination of Native American populations, white supremacist ideals rooted in both dominant culture and pseudoscience , and aggressive expansionist and imperialist projects throughout the Western hemisphere. It should come as no surprise that Adolf Hitler studied, admired, and was inspired by the US genocide of Native Americans as well as its subsequent reservation program. "Hitler's concept of concentration camps as well as the practicality of genocide owed much, so he claimed, to his studies of English and United States history," John Toland wrote in his book, Adolf Hitler: The Definitive Biography . "He admired the camps for Boer prisoners in South Africa and for the Indians in the wild west; and often praised to his inner circle the efficiency of America's extermination-by starvation and uneven combat-of the red savages who could not be tamed by captivity."

This notion of American fascism is certainly nothing new. As Steve Martinot explains in his invaluable essay on " Fascism in the US ," this discussion has been around for a long time:

"In an early, now canonical discussion of racism in the US, Pierre Van den Berghe (1967) pointed out that a prevalent racial despotism coexisted with constitutionality, a confluence he characterized as 'herrenvolk democracy' - 'democracy for white people.' In his book, Friendly Fascism, (1980) Bertram Gross argues that the US under Reagan began moving toward a form of governance closely analogous to 1930s European fascism; he compares the social consequences of corporate influence to Mussolini's 'corporate state.' George Jackson finds no better word than 'fascism' to describe the psychotic use of power and violence by which white prisoners relate to black, or by which the prison administration maintains its hierarchical system -- and which he sees mirrored in white-black relations outside the prison."

As a settler-colonial project steeped in white supremacist domination and capitalist ideals, America is and always has been an ideal fascist breeding ground. The current rise of Donald Trump, the "alt-right," neo-Nazism, and white nationalism is nothing new, it is merely Americanism becoming further personified through the vulnerabilities opened by the failures of capitalism and the weakening of liberal democracy - systems that were constructed on shoddy, hypocritical foundations to begin with.


Fascism as a Capitalist Phenomenon

"People that are more concerned with the trappings of this pseudo mass society and its spectacular leisure sports; parades where strangers meet, shout each other down and often trample each other on the way home will never see the ugly reality of fascism. Amerikkkan fascism is so effective in emotionally appealing to people's desires and fears that when we point out to them that Amerikkkan capitalism has had 200 years to disguise and refine its face, and 50 years to consolidate fascist control of the country, they would simply dismiss us."

Shaka Sankofa Zulu


Fascism, as a conscious and working ideology, was intentionally constructed to serve as a polar opposite to the materialist conception of thinking that scientific socialism (Marxism) was based in. Benito Mussolini, a former socialist, specifically noted this in his Doctrine of Fascism, which he wrote with Giovanni Gentile. Fascism is a collectivist ideology, much like socialism; however, fascism calls on a societal tie that differs greatly from that of socialism. While socialist collectivism is rooted in an inclusive, communal responsibility to have basic material needs met for all, fascist collectivism is rooted in an exclusive, nationalistic responsibility to dominate and conquer peoples who are viewed as not belonging. While socialist collectivism is based in worker-control of the means of production, fascist collectivism is based in a natural adherence to corporatism, which takes form in concentrated control of the means of production (mimicking that of capitalism). While socialism seeks to undermine and ultimately destroy the capitalist system, fascism seeks to fortify the late stages of capitalist accumulation by merging corporate power with the State.

As socialists view the working-class struggle as the primary vehicle to creating self-determination, fascists flatly reject economic (material) motives as a potential driving force for societal change. The authoritarian nature of capitalism is an ideal precursor to fascism. Because of this, fascism seeks to take the reins of the system and use it to carry out its nationalistic project that is based in a form of heritage or national identity as determined by the fascists. The Doctrine of Fascism explains ,

"Fascism [is] the complete opposite of…Marxian Socialism, [which posits] the materialist conception of history of human civilization can be explained simply through the conflict of interests among the various social groups and by the change and development in the means and instruments of production. Fascism, now and always, believes in holiness and in heroism; that is to say, in actions influenced by no economic motive, direct or indirect. And if the economic conception of history be denied, according to which theory men are no more than puppets, carried to and fro by the waves of chance, while the real directing forces are quite out of their control, it follows that the existence of an unchangeable and unchanging class-war is also denied - the natural progeny of the economic conception of history. And above all Fascism denies that class-war can be the preponderant force in the transformation of society."

The authoritarian nature of capitalism is rooted in its most elemental relationship - that between the owners and the workers - which naturally creates minority class dominance over the majority class. Fascism seeks to transform this class dominance into national dominance. Because of this, parasitic billionaire exploiters of the capitalist class (like Donald Trump) become welcome members of this nationalist project, and exploited workers who embrace fascism are more than willing to overlook the complicity of the creators of their own misery as long as these overseers are willing to repent through an embrace and renewal of ethnic nationalism.

fashcap.jpg

The natural extension from capitalism to fascism is impossible to ignore. In structural terms, as concentrations of wealth and power are created through the mechanisms of capitalism, so too are widespread dispossession for the masses of people who exist under the system. Despite the construction of robust welfare and police states, which have been implemented to prevent this widespread dispossession from transforming into civil unrest, the weight of such unequal power dynamics is bound to crush the experiment we've come to know as "liberal capitalist democracy." This has never been more evident than in the neoliberal era, where both globalization and so-called "free-market" ideology have unleashed the system to do what it is designed to do.

An anarcho-capitalist (American "libertarian") analysis of fascism, presented by Sheldon Richman in the Library of Economics and Liberty, recognizes at least a part of the natural connection between capitalism and fascism, without overtly saying so:

"Where socialism nationalized property explicitly, fascism did so implicitly, by requiring owners to use their property in the 'national interest'-that is, as the autocratic authority conceived it. (Nevertheless, a few industries were operated by the state.) Where socialism abolished all market relations outright, fascism left the appearance of market relations while planning all economic activities. Where socialism abolished money and prices, fascism controlled the monetary system and set all prices and wages politically. In doing all this, fascism denatured the marketplace. Entrepreneurship was abolished. State ministries, rather than consumers, determined what was produced and under what conditions."

While Richman would surely argue that such elements - autocratic control, currency manipulation, and the end of entrepreneurship - are not natural byproducts of capitalism, they perfectly describe the stage of monopoly capitalism (actual existing capitalism) that has inevitably developed as a result of the most basic mechanisms of the system: the labor-capital relationship and the private ownership of land as a means to exploit. In other words, what American "libertarians" like Richman describe as "corporatism" or "crony capitalism" is really just a mature and naturally developed stage of capitalism. The "cronies" are merely the beneficiaries of this inherent process. This point has been illustrated by many economists outside of the establishment , and perhaps most effectively and intensely by the Monthly Review school.

The insurmountable weight that capitalism has brought down on "democracy" has demanded the need for more authoritarian adjustments within government, as societal unrest becomes more likely. This mature stage of capitalism creates a ripe environment for fascism, both in its creation of a highly-centralized State apparatus that has already meshed with corporate power , as well as in its need to recruit masses of foot soldiers from within the systematically dispossessed population. The Fascist Doctrine describes the transfer of the "Liberal State" to the "Fascist State":

"The foundation of Fascism is the conception of the State, its character, its duty, and its aim. Fascism conceives of the State as an absolute, in comparison with which all individuals or groups are relative, only to be conceived of in their relation to the State. The conception of the Liberal State is not that of a directing force, guiding the play and development, both material and spiritual, of a collective body, but merely a force limited to the function of recording results: on the other hand, the Fascist State is itself conscious and has itself a will and a personality -- thus it may be called the "ethic" State."

The transformation that Mussolini and Gentile describe is that of a capitalist state with pluralistic tendencies that are conducive to capitalist growth to one of a corporatist state with homogenous tendencies that are designed to protect and grow nationalist interests. While modern fascists in the United States tend to focus on "multiculturalism" and what they refer to as "cultural Marxism," they fail to realize that the same structure which shaped these social dynamics happens to be a prerequisite for the fascist transition. The Western capitalist system required a massive, intercontinental slave trade to get started, centuries of internationalist/globalist expansion to spur continuous growth, and an imperialist agenda that has displaced entire societies throughout the global South. In other words, the tactics that have been used to feed the capitalist system, most of which could be characterized as crimes against humanity , not only created the incredibly unequal distributions of wealth and power both nationally and internationally, but also created the societal makeups that fascist foot soldiers decry. In this sense, capitalism has not dug its own grave, like Marx once promised that it would; it actually has birthed the inevitability of fascism.


From "Liberal State" to "Fascist State"

Through capitalism's reliance on imperialism, the transition from Liberal State to Fascist State has already begun. In order to be formally transitioned into fascist control, it merely needs time, political direction, and a forceful wresting of power from the entrenched Liberal State. Once completed, the nature of imperialism shifts from one of economic motivations to one of nationalistic motivations. The doctrine discusses this process:

"For Fascism, the growth of empire, that is to say the expansion of the nation, is an essential manifestation of vitality, and it's opposite a sign of decadence. Peoples which are rising, or rising again after a period of decadence, are always imperialist; and renunciation is a sign of decay and of death. Fascism is the doctrine best adapted to represent the tendencies and the aspirations of a people, like the people of Italy, who are rising again after many centuries of abasement and foreign servitude. But empire demands discipline, the coordination of all forces and a deeply felt sense of duty and sacrifice: this fact explains many aspects of the practical working of the regime, the character of many forces in the State, and the necessarily severe measures which must be taken against those who would oppose this spontaneous and inevitable movement of Italy in the twentieth century, and would oppose it by recalling the outworn ideology of the nineteenth century - repudiated wheresoever there has been the courage to undertake great experiments of social and political transformation; for never before has the nation stood more in need of authority, of direction and order. If every age has its own characteristic doctrine, there are a thousand signs which point to Fascism as the characteristic doctrine of our time. For if a doctrine must be a living thing, this is proved by the fact that Fascism has created a living faith; and that this faith is very powerful in the minds of men is demonstrated by those who have suffered and died for it."

While gaining control of the State is formally accomplished through the emergence of electoral movements, it still requires a groundswell of support from the lower classes. The class divisions created by capitalism, especially within post-industrialized societies like that of the US, present the most opportune dynamics for what is sometimes referred to as "right-wing populism." Not only is the emergence of an industrialized middle class a key component in this development, but even more crucial is the subsequent collapse of this middle class. This second stage has been occurring in the US since the 1980s, with the onset of neoliberalism and globalization. Politically speaking, it has manifested itself in Reagan's neoliberal blueprint, the neoliberalization of the Democratic Party, the complete economic abandonment of the American working class by both major parties, the rise of proto-fascist groups like the Tea Party, the triumph of lesser-evilism, and now in the rise of 21st-century neo-Nazism and white nationalism, both of which have helped buoy an actual billionaire capitalist to the White House.

Gaining political support from the working class seems like a difficult proposition for those running for office, since the political parties in power are the same parties which have abandoned most Americans for the past several decades. However, this is where fascism's reliance on emotion and identity, or what Mussolini refers to as "duty," "holiness," and "heroism," over material need becomes so powerful. The structural dispossession of masses of people by macro-systems like capitalism is difficult to pinpoint, especially when systemic understanding is absent. Left-wing populism relies on these understandings, as well as the expectation that material conditions will motivate the working class to act in its own best interests, which are diametrically opposed to the interests of capital, bourgeois politicians from within the liberal democratic system, and of course billionaire businessmen. Fascism makes things easier, focuses on a national/racial identity, and deems all who exist outside of that identity to be enemies of the State. The structural pressure created capitalism, especially against that of the former middle class, or against anyone feeling as though they're losing privilege, creates an environment conducive for recruitment. This process was never explained more succinctly than by George Jackson :

"The shock troops of fascism on the mass political level are drawn from members of the lower-middle class who feel the upward thrust of the lower classes more acutely. These classes feel that any dislocation of the present economy resulting from the upward thrust of the masses would affect their status first. They are joined by that sector of the working class which is backward enough to be affected by nationalistic trappings and loyalty syndrome that sociologists have termed the 'Authoritarian Personality.' One primary aim of the fascist arrangement is to extend and develop this new pig class, to degenerate and diffuse working-class consciousness with a psycho-social appeal to man's herd instincts. Development and exploitation of the authoritarian syndrome is at the center of 'totalitarian' capitalism (fascism). It feeds on a small but false sense of class consciousness and the need for community."

The authoritarian nature of fascism is found in its reliance on identity, a fluid concept that allows for some maneuverability within the minds of its adherents, while also shoring up the herd mentality that becomes rooted in its perceived national agenda. In other words, the individual within a fascist movement may perceive themselves, the movement, and even the ultimate goal of the movement in varying ways; however, when called upon to act, their actions will always fall in line with the national agenda as set by its directors. This is why fascism requires the presence of strong leaders. Much like the Orc armies in JRR Tolkien's famous Hobbit series, the foot soldiers of fascism are easily swayed into violent action for a greater good that is constructed by a strong, charismatic leader. And with this support, those leaders can accomplish electoral feats previously unheard of.


Punching Down: The Fascist Engine of White Supremacy and Xenophobia

Despite the structural failures of both capitalism and "liberal capitalist democracy," American fascism would find difficulties materializing without a strong element of identity. Whereas left-wing populism clearly relies on the material desperation of the working class under capitalism, fascism's reliance on the vague concepts of "holiness" and "heroism" needs a constructed and recognizable identity. In America, the structural and cultural phenomenon of white supremacy serves as this identity, and therefore acts as the engine needed to redirect the widespread angst developed through the systematic dispossession created by capitalism and "democracy" into a nationalistic movement.

It is important to understand that white supremacy is not something only reserved for jackbooted neo-Nazis giving "Heil Hitler!" salutes, but that it is a systemic phenomenon which is heavily seeped in American culture. It is both a conditioned mentality and a material reality. The conditioned mentality that Black lives are substandard has been shaped through centuries of popular culture, from the racist Minstrel shows of the early 19th century, which utilized the " coon caricature" to lampoon Black people as dim-witted, lazy, and buffoonish, to modern TV shows like COPS, which perpetuates the racist stereotype that Black people are more prone to debauchery and criminality. The material reality has been shaped by two and a half centuries of chattel slavery followed by various forms of legalized systems of servitude and second-class citizenship, including sharecropping convict leasing Jim Crow, and mass incarceration. This history has built complex layers of institutional racism carried out under the guise of legality, and a systematic ghettoization supported by both " white flight" and widespread discriminatory housing and employment practices, all of which have combined to shape a uniquely intense experience for Black Americans who must face both class and racial oppression.

The two factors (conditioned mentality and material reality) interplay with one another in a way that is increasingly disastrous for the ways in which American society views and treats its Black citizens. Because of the perpetuation of racial stereotypes, people on average are less empathetic toward their Black counterparts. Studies have shown that white children as young as seven years old believe that Black children feel less pain than them; that emergency medical personnel are less likely to give pain medication to Black and Latinx children who are in pain; and that "Caucasian observers reacted to pain suffered by African people significantly less than to pain of Caucasian people." The material reality shaped by institutional racism has created a landscape where Black people are disproportionately poor, unemployed, and in prison. Martinot talks about this seemingly never-ending cycle that is centered within a highly racialized criminal punishment system:

"The social effects of this process are catastrophic, yet familiar. Not only does felonization of a population insure massive unemployment (a general tendency not to hire people with a record), but routine felony charges amount to systematic disenfranchisement (14% of black people by 1998, according to Fellner and Mauer). Recent studies indicate that one out of every three black men under the age of 30 has been through the judicial system in the last 25 years. To continually remove a sizable number of people from a community in this way constitutes a massive disruption of its social coherence. This disruption buttresses its criminalization as a community in white society's eyes, and rationalizes the disinvestment of capital and a general financial obstruction of community asset accumulation. Racial oppression, impoverishment, imprisonment and police impunity are all of a piece.

Ultimately, the increase in prison population has become one of the arguments, in social discourse, for further drug laws and racial profiling. It is a self-generating cycle. What is significant about it is that it is not perceived by white society at large as an extant injustice. Instead, more prisons are called for and accepted, again with a sense form of cultural familiarity ("how else are we going to deal with crime?"). This acceptance euphemizes itself in political campaigns as being "hard on crime" as opposed to addressing the social conditions that generate crime. It inhabits a white consensus in solidarity with the police and prison industry that have allowed for their untrammeled growth -- a consensus whose content is white racialized identity."

When turned on its head, white supremacists can use this current reality to support their arguments that Black people are in these positions because of "poor decisions," "a lack of personal responsibility," "a lack of work ethic," "laziness," or even some type of biological shortcoming, as is argued by so-called "race realists" (the modern term for pseudoscientific racism). Individualizing systemic problems is both a convenient way to blame victims of societal oppression, by basically ignoring history, and the result of a general lack of historical and practical knowledge regarding how systems shape lived realities for people within those systems.

The latter point helps explain why ignorance is naturally drawn to reactionary politics, and why fascism has always been the likely outcome for America. As most Americans suffer from extreme deficits in sociological, historical, economic, and systemic understanding, any reaction against personal misgivings (which are experienced by the working class as a whole under capitalism) will surely default into raw emotion for many. This is fascism's advantage, as it feeds off aimless frustrations. Ignorance is easily swayed; and guiding these frustrations into an intense anger against women, immigrants, Muslims, Black people, Brown people, or LGBTQ people, is easily accomplished.

fascistcowards.jpg

Ignorance is also a harbinger to cowardice. Due to a lack of general understanding of the world around them, such people grow to see the world as a dangerous place. So they must back themselves into a corner, stockpile guns, become suspicious of any and all who do not look like them, and brace themselves for the globalist, Illuminati-led, Bilderberg-planned, Soros-funded, politically-correct, cultural-Marxist New World Order. Their lack of understanding leads them down a delusional rabbit hole, and their vulnerabilities and insecurities breed a cowardice that drives them to "punch down" at those who appear even more vulnerable than they. This authoritarian stance taken against class peers, and its need to dominate and brutalize marginalized people, is just waiting to get swept up in the fascist tide. And for many Americans, it inevitably has.


The Struggle Against Inevitability

Since the inevitability of American fascism is deeply rooted in both capitalism and white supremacy, any resistance against this fascist tide must be focused on destroying these two systems. Therefore, the only suitable orientation to embrace is one of a left-wing populist, internationalist, working-class, anti-racist ideology. The black-clad, masked anarchists and anti-fascists who have been physically confronting Trump's shock troops in the streets are firmly rooted in this orientation. They are the front lines of this struggle, but their effectiveness will ultimately be dependent on a mass, organized movement that includes political and labor-oriented groups on the left, and most importantly liberation groups that are rooted in justice for people of color and immigrant populations.

The upcoming war against American fascism will occur on multiple fronts. First, ground troops of the left (antifa and others ) are desperately needed to confront the violent, bigoted, gun-obsessed right wing that has formed under the banner of Americanism. These ground troops must be armed and proficient with guns, physically conditioned, and trained in hand-to-hand combat skills. A guerilla orientation influenced by the teachings of Che Guevara and Abraham Guillen , among others, and rooted in the approach of the original Black Panther Party and Fred Hampton's rainbow coalition (the BPP, Young Lords, and Young Patriots) is vital. Included in this need are community defense projects that can protect working-class people from the immediate dangers posed by right-wing militia groups, neo-Nazis, white supremacists, and police.

Second, a multi-pronged attack against the capitalist system is needed. This must include a return to militant labor organizing and the inclusion and politicization of low-wage service sector workers. This must also include a left unity project that creates a coalition of anti-capitalist political, labor, and social justice groups that can effectively bring in and give the reins to immigrant laborers, the unemployed and underemployed, and specifically those who are most marginalized due to their racial, gender, or religious identity. A rejection of both capitalist political parties (Democrats and Republicans) is necessary in this struggle, as is a rejection of the lesser-evil approach to electoral politics that has brought the entire system rightward over the past 40 years.

Third, a struggle against government repression is unavoidable. The American government has a brutal history of crushing anti-capitalist dissent: the Haymarket martyrs , the execution of Joe Hill, the targeting and forced exile ofBill Haywoodthe Palmer raids, the framing of Sacco and Vanzetti McCarthyism, Communist blacklists, COINTELPRO , the MOVE bombing , the imprisonment of folks like Mumia Abu-Jamal, Leonard Peltier and Oscar Lopez Rivera, and the forced exile of Assata Shakur , are a few examples. Legitimizing the movement with a formidable, nationally-based political wing can help with this. A third party rooted firmly in anti-capitalism is needed to serve as a vehicle for spreading class consciousness among an American working class that has been strategically and historically shielded from this. While electoral victories would be nearly impossible and largely ineffective in the current structure, political pressure and education is a crucial tool that should be used to create legitimacy and transparency.

This struggle must be carried out with an understanding of the role that liberals and many progressives play in protecting the fascist movement. While conservatives and those on the "alt" and far right represent a clear enemy, liberals can sometimes pose as allies when it comes to mainstream political rhetoric. History shows this is not the case. It shows that no matter how progressive their platforms may appear, liberals will always side with the capitalist system and, most importantly, with their own stability and comfort within the system. This has never been more evident than in their recent support of a proven corporatist and war hawk in Hillary Clinton, their red-baiting propaganda since the election, their blanket condemnation of anti-fascists, their constant cries against counter-violence, and their false equivalencies against "extremists on both sides." The fact that the Democratic Party sabotaged Bernie Sanders, a politician whose platform is nothing more than that of a New Deal liberal, shows how far to the right they have moved since the inception of neoliberalism. Nancy Pelosi's honest proclamation that "we're capitalists and that's just the way it is" while answering an unscripted question from a student at a January "Town hall" appearance perfectly captured the smug elitism of the party, especially when considering Pelosi herself is married to a wealthy "businessman/investor" and has a net worth in the range of $43 to $200 million. Capitalism has been great for her and her family; however, not so great for 200 million Americans. And now we have a war on our hands.